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There’s a steady stream of establishing shots showcasing New York’s magnificent bridges. We know Willis can do this kind of role in his sleep, but that doesn’t mean he’s not terrific.ĭirector Norton and the production team display a keen eye for the time period, from the store window displays to the gorgeous automobiles to the wardrobe. Vincent’s Home for Boys, he works for small-time mobster Frank Minna’s limo service cum detective agency. Willem Dafoe is a seemingly unhinged agitator with some very big secrets.Īnd though Bruce Willis’ Frank is killed off very early in the story, he returns from time to time as a voice of conscience and reason in Lionel’s overcrowded head. Lionel Essrog is Brooklyn’s very own self-appointed Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in the most startling and original ways.
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Leslie Mann is Frank’s not-exactly-grieving widow. Bobby Cannavale is Lionel’s slick and transparently ambitious colleague at the detective agency. Michael Kenneth Williams is a savant jazz musician who takes a liking to Lionel because he, too, can’t stop the noise in his head. Alec Baldwin fills the screen with a rip-roaring performance as Moses “Mo” Randolph, a ruthless, racist, power-mad Commissioner of Just About Everything who has far more clout than the mayor and thinks nothing of relocating tens of thousands of poor and working-class minorities if it means he’ll get another park, another bridge, another building block in his vision for making New York the greatest city civilization has ever known.